Is this horror movie remake better than the shocking original?

Movie remakes are rarely as good as the originals, especially in the horror genre. Just consider the poor remakes of psychology, Fogand Flatliners as proof of this.

Of course, there are exceptions. Let me enterMatt Reeves’ 2010 remake of Tomas Alfredson’s vampire tale Leave the one on the right in, was actually a very good film because the director managed to retain the tense and emotional atmosphere of the strange original. by Philippe Kaufmann Invasion of the Body Thieveswhich came out in 1978, is also a decent remake and is arguably scarier (and better overall) than Don Siegel’s 1956 communist allegory.

Why am I talking about remakes? Well, if you’re not already aware, Matt Sobel Good night momwhich is currently streaming on Prime Video in select territories, is a remake of a 2014 Austrian film of the same name.

Both films are similar in plot, with a focus on twin brothers Elias and Lukas who visit their actress mother, only to find that she isn’t quite the person she used to be. After their father drops them off at her house, the boys are initially surprised at their mother’s appearance as she wears a medical mask that covers her entire face.

Their mother tells them she just had cosmetic surgery, hence her masked face, but the boys have more to worry about than her outward appearance. Where once their mother was warm and caring, she is now cold and distant and her behavior borders on aggressive.

It is because of these personality changes that the boys begin to think that the woman behind the mask is an impostor. And therein lies the central mystery of the film. Do they live with their mother? Or is the person they share a home with someone else entirely?

If you’ve seen the original movie, you already know the answer. Like I said, this 2022 remake has a similar plot. However, the two films aren’t exactly the same, as Sobel’s film is different in key areas.

Does that mean it’s a bad remake? Well, that depends on your point of view. It’s certainly not as bad as the films I mentioned at the start of this review as this film benefits from compelling creative direction and performances from its talented cast, with a special mention to Cameron and Nicholas Crovetti who play Twins. However, it’s not as shocking as Alfredson’s original and if you know his movie, you might be disappointed with the changes Sobel made.

In the 2014 film, the mother is far more menacing than the one played by Naomi Watts in the remake. She is cruel, elusive, and almost robotic in nature, and she never confirms to the boys whether or not she is their real mother. Watts’ version of the mother is a bit more human and she insists she is the boys’ mother when Elias arouses her suspicions. She’s still acting weird but she’s not as mysterious as the wife in Alfredson’s movie.

In both films, the boys gather evidence in their attempt to uncover the truth about the masked woman. When they decide they’re living with a complete stranger, they take revenge on her. In the original film, the twins commit acts of violence against the woman in scenes that are sometimes quite sickening. In the remake, Watts’ mother has a much better time because, aside from a bucket of cold water, the boys don’t quite torture her in the same way.

These changes are a good thing or a bad thing, depending on your horror tolerance. If you’re put off by harrowing scenes of violence, especially those instigated by children, you might be happy that the remake is much softer than Alfredson’s film. But since it’s the violence that gave this movie its visceral power, you might be less happy with the remake if you wanted something as scary as the original.

Sobel’s film is also different in other ways. It’s not as tense as the 2014 movie and the air of mystery is toned down by too many clues that point towards the twist’s ending. Alfredson’s film was ambiguous in nature and we were never able to uncover the secrets of the film until the very end. English language remakes have often been accused of dumbing down foreign language films for Western audiences, and that accusation can be leveled at this remake. That doesn’t mean this movie is worthless, but since it’s not as nerve-wracking or as clever as the movie that preceded it, you won’t get quite the same experience as if you had seen the title. previous.

Of course, if you’ve never seen the 2014 version of Good night mom, you won’t have anything to compare with the remake, and that could be a good thing. You’ll have no reason to complain about the tonal shift and watered-down scenes between the boys and their mother, and you should enjoy the various twists and turns that are woven into the narrative.

So, back to our question: is this a bad horror remake? I don’t think so because there’s a lot of creative talent on display, both in front of and behind the camera. You might have reason to complain if you’ve seen Alfredson’s film, but I imagine your biggest concern will be with the plot narrative rather than the film’s artistry.

If you don’t have Alfredson’s film as a point of reference, you might be more tolerant of Sobel’s remake. I would still recommend seeing the 2014 movie for the best experience, but if you’re averse to subtitled movies or extreme horror scenes, you’ll be pleased to know that it’s not as miserable as some of the remakes that you may have seen before.

Read more: Goodnight Mom (2022) Ending Explained

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