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The making of Satya Rachakonda Balamevvadu is a crime thriller whose theme is the medical mafia and its nefarious activities. Starring Dhruvan Katakam and Nia Tripathi, the film revolves around a realistic plot and depicts the dreams, anxieties and helplessness of the common man.

With: Dhruvan Katakam, Nia Tripathi, Suhasini Maniratnam, Babloo Prithviraj
Director: Satya Rachakonda

Satyanarayana (Dhruvan Katakam) is an insurance agent who provides services to clients who change their insurance needs by selling policies. He crosses paths with Parnika (Nia Tripathi), a classical dancer, and falls in love with her at first sight. One day he unexpectedly saves Parnika from a sexual assault and this incident inspires him to reciprocate his love for Satyanarayana. But fate had other plans as Parnika was diagnosed with breast cancer and treatment was to be followed by chemotherapy. Will Parnika survive? What happens next?

The film seeks to weigh in on a subject on which several films have already been made. But what sets this film apart is the way director Satya intertwined a social message with an emotional love story. It approaches the story from a humanistic and relatable perspective, and makes things really exciting with its on-screen treatment, which feels a bit refreshing. The movie gets the emotional part right, especially how helpless an ordinary man can be if his loved one is battling a deadly disease and the rot of the medical system.

The details to establish the protagonist’s conflicts come through convincingly in the script. What I like the most is how the director worked more on the human angle giving the film a universal appeal, while keeping its authenticity. The lead couple’s love story is short and sweet and is also vividly defined through a song.

The director tried to strike a balance between telling a message-driven story with a dash of humor and emotion, but the script, for the most part, only focuses on one side of the spectrum. Sometimes the film becomes preachy while establishing the message through the protagonist and fails to create the intended impact.

Dhruvan is impressive as an insurance agent trying to make sense of the situation. The film offers him an immense palette, the role taking precedence over the actor in him. The story doesn’t let him overshadow the supporting cast either, each with good scope. Babloo Prithviraj as a gluttonous doctor, Suhasini Maniratnam as Dr Yashoda and Nasser, although appearing in a small role, played their part well and complemented the director’s sensibility perfectly. Newbie Nia Tripathi takes on a familiar character type and delivers a commendable performance.

Mani Sharma’s music and background music stand out and provide much-needed momentum to the narrative.

Globally, Balamevvadu strikes a chord by highlighting the plight of commoners when they believe in the medical system. The unique way of presenting this fact makes it a decent watch.

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